Dorset, electoral map, 1835.
"Dorset" engraved by J & C Walker after R. Creighton, published by Samuel Lewis in his Topographical Dictionary of England, 1835. Plain steel engraved antique map showing electoral divisions, places of election, polling places and the Borough Towns entitled to return Members of Parliament. Original hand colour. Size 24 x 18 cms plus good margins. Ref E5641

Europe after Charlemagne, Delamarche, 1828.
"L'Europe a l'Epoque du demembrement de l'Empire de Charlemagne j'usqu'au onzieme Siecle" by F.Delamarche, published in Atlas de la Geographie, 1828 (map dated 1826.) Copper engraved antique map with original hand colour and centrefold as published. Slight soiling and offsetting. Size 42 x 29 cms plus margins. Ref E5640

Europe at the time of Charlemagne, Delamarche, 1828.
"L'Europe Divisee en ses Differens Etats Sous Charlemagne" by F.Delamarche, published in Atlas de la Geographie, 1828 (map dated 1827.) Copper engraved antique map with original hand colour and centrefold as published. Size 35 x 28 cms plus good margins. Ref E5639

Scotland, Summit of the Cobler, Loch Long, fine stone lithograph by F.Nicholson, 1828.
"Summit of the Cobler, at the Head of Loch Long" stone lithograph drawn from nature by F.Nicholson, published in Views in Scotland Drawn from Nature, 1828. Printed on India paper laid down on thicker paper (as published), very good condition. Size 33 x 27.5 cms to edge of India paper. Ref E5637

Scotland, On the River Lochy at Killin, fine stone lithograph by F.Nicholson, 1828.
"On the River Lochy at Killin" stone lithograph drawn from nature by F.Nicholson, published in Views in Scotland Drawn from Nature, 1828. Printed on India paper laid down on thicker paper (as published), Very slight soiling, otherwise good condition. Size 35 x 26.5 cms to edge of India paper. Ref E5636

Scotland, Torrent on Ben Vorlich in 1806, fine stone lithograph by F.Nicholson, 1828.
"Torrent on Ben Vorlich, July 15th 1806" stone lithograph drawn from nature by F.Nicholson, published in Views in Scotland Drawn from Nature, 1828. Printed on India paper laid down on thicker paper (as published), very good condition. Size 25 x 35 cms to edge of India paper. Ref E5635

Scotland, Bracklin Bridge, fine stone lithograph by F.Nicholson, 1828.
"Bracklin Bridge, near Callander" stone lithograph drawn from nature by F.Nicholson, published in Views in Scotland Drawn from Nature, 1828. Printed on India paper laid down on thicker paper (as published), very good condition. Size 25 x 35 cms to edge of India paper. Ref E5634

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Some soiling to the centre of the print. Size 17 x 26 cms to plate mark, plus good margins. Ref E5633

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Size 24 x 18 cms to plate mark, plus good margins. Ref E5629

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Size 26 x 21 cms to plate mark, plus good margins. Ref E5628

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Size 32 x 22 cms to plate mark, plus good margins. Ref E5627

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Size 32 x 23 cms to plate mark, plus good margins. Ref E5626

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Size 17 x 24.5 cms to plate mark, plus good margins. Ref E5625

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Size 23.5 x 18 cms to plate mark, plus good margins. Ref E5624

French decorative composition after LePautre, 17th century / 1870.
Decorative etching by Decloux and Doury, published in Collection des plus Belles Compositions de Le Pautre, Paris, about 1870. Jean Le Pautre (1618-1682) was the most important ornament engraver of the 17th century, producing over 1500 prints, mainly for use by architects and sculptors. This 19th century copy is well printed on wove paper, with a good impression and plate mark with wide margins. Size 18 x 24.5 cms to plate mark, plus good margins. Ref E5623

Wales, Narneth Rocks, 1797.
"Narneth Rocks" (Narberth, Pembrokeshire?) sepia aquatint after a drawing by Samuel Iraland, with old hand colouring, Published in 1797. Slight soiling upper left and embossed stamp in margin, well away from image. Size 16 x 13 cms. Ref E5622

Wales, Builth Wells, 1797.
"Builth" sepia aquatint after a drawing by Samuel Iraland, with old hand colouring, Published in 1797. Slight damage in sky area and embossed stamp in margin, well away from image. Size 16.5 x 12 cms. Ref E5621

Wales, Aberystwith Market, 1790.
"Market at Aberystwith" sepia aquatint after a drawing by Samuel Iraland, published about 1790. Slight foxing. Size 18 x 13.5 cms. Ref E5620